Month: April 2010

by Annie Dillard

I was first enthralled with Annie Dillard\’s writing when I read Pilgrim at Tinker Creek. She has a wonderful way with words. Her phrases are so descriptive, so vivid you can practically feel them under your fingertips, smell and hear and sense. This book is a memoir of her youth, growing up in Pittsburgh. She brings alive so many things about being a child- finding wonder in every new discovery, exploring the neighborhood on bicycle, throwing snowballs at passing cars. Even the small, ordinary moments- sitting quietly in church, watching scenery pass by through the car window, take on significance when seen through her child\’s perspective. It feels like everything is here- how her family taught her to dance and appreciate good jokes, how she learned about the history of her town, the mysteries of boys in school, the private passions of collecting things…. I couldn\’t relate to everything she spoke of- I was always a total klutz at sports and dancing (the rules and timing still elude me) but the things I could resonated so deeply. Being enraptured by books, full of wonder at the world they opened. Her fascination with nature, collecting insects, examining rocks, wanting to see every thing up close and understand it. Her passion for words, and writing poetry (I wrote so many awful poems in high school, thinking they were the outpouring of my soul. Now they make no sense to me at all!) If you haven\’t read any works by Dillard, I\’d encourage you to try An American Childhood. It\’s a bit slow to start, but soon you\’ll find something in the pages that brings up memories of your own childhood you\’d almost forgotten. It did that for me.

I got this book from a thrift store, two copies actually, because I forgot I already had it when I picked the second one up! I read it for the 2010 TBR Challenge.

Rating: 3/5 …….. 255 pages, 1987

More opinions at:
A Los Alamos Girlhood
AP Lang & Comp
anyone else?

I have an extra copy of Annie Dillard\’s An American Childhood. It\’s a gently-used hardcover, with only a few folded corners and an inexplicable hole in near the bottom of page 112. (Missing: two words. I can easily guess what they are). If anyone would like this copy, I\’ll send it to you free! Just leave a comment here and in two weeks I\’ll pick a name at random.

by Paul Lesniewicz

Another book about bonsai. I liked this one because it focuses on plants that make good bonsai to be kept indoors, whereas they\’re more commonly kept outside. I always did want some for in the house, not just brought in for display. Indoor Bonsai has a photo gallery of indoor houseplants that can be trained as bonsai. There are instructions basic care, design, when to wire or prune (or both), how to cure common pests and diseases, and how to grow plants from seed or cuttings. I\’m interested in trying to make bonsai out of a schefflera or jade plant (crassula), and for the first time in this book found reference (but no picture) of geraniums being grown as bonsai, so I no longer feel odd about having one! It also answered one of my long-standing questions about houseplants: the white crud that forms on the top of the soil and around inside rim of my pots? It\’s from the water being too hard. Soften the water by boiling first, or collect rainwater, and this should go away, the book tells me. So I\’m trying that now.

Rating: 3/5 …….. 208 pages, 1985

by Alan Garner

This is a strange story. It’s based on a Welsh legend of Blodeuwedd, about a woman magically made from flowers to be one man’s wife, while falling in love with another- murder results, and a curse, and she gets turned into an owl. In The Owl Service, this legend is perpetually re-enacted (in a way) by further generations. Three children get involved when one of them discovers some plates hidden in the rafters- a “dinner service” patterned with flowers. The girl sees owls in the pattern, and when she traces them, paper owls flit about, later mysteriously disappearing. She gets obsessed with obtaining more plates to trace from, while the housekeeper is just as adamant about keeping the children from getting ahold of the plates, or finding out more about them. There’s a lot more going on- mysterious lights in the woods, odd noises, people acting strangely. It’s all rather creepy, really.

But hard to follow. In the first place, it’s nearly all told in dialogue, without any explanation of who’s who, so it took a while for me to figure out how the children were related to each other- two are step-siblings, the third is the housekeeper’s son, and why certain ones felt superior to, or resentful towards, the others. The same kind of interactions occur among the adults, with just as little explanation. The dialog is crafty, feels very real, but at the same time has gaps. For instance, some characters speak Welsh, others English, but there’s never any indication of that until you realize one person didn’t understand what someone else said- halfway through the conversation! Aside from that, even once I’d figured out the myth that was being re-lived by these kids, it still didn’t make much sense, and the ending was a muddle. It does have a very vivid feel, though- I at once thought of Susan Cooper’s The Dark is Rising series, and of National Velvet (not sure why) and overall it leaves the reader with a very unsettling feeling. I enjoyed reading the book while I was still trying to figure out what was going on, but then it got tiresome. I’m wondering now if Alan Garner’s other books are just as eerie, and inexplicable? Anyone read more?

I got this book at a library sale, it caught my eye because I remembered seeing a review at Things Mean a Lot. The second image is what my book looks like without its dust jacket- silver pattern on the cover (of the plate). I can see the owl’s face, but not how the rest of the image would fit together…

Rating: 3/5
201 pages, 1967

DISCLAIMER:

All books reviewed on this site are owned by me, or borrowed from the public library. Exceptions are a very occasional review copy sent to me by a publisher or author, as noted. Receiving a book does not influence my opinion or evaluation of it

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