Tag: Re-reads

by C.S. Lewis

Once again, a Narnian book that I have difficulty seeing the problems with reading it now as an adult, it is so colored with nostalgia for me. (If you look at some of the other reviews I linked to, you will find some criticisms). This one was always among my favorites, not the least because it has a talking horse as one of the main characters. The story is so different from the other ones featuring the four Pevensie siblings who became kings and queens (it’s in the middle of their reign that this story takes place). I rather liked the somewhat flawed characters trying to discover themselves, learn to get along and support each other, and so on. Lots of character growth. I think the best was Shasta. He grows up in a village, adopted son of a fisherman who treats him little better than a slave. He determines one night to run away, and encounters a talking horse named Bree from Narnia who had been kidnapped as a young foal, and also wants to escape North to freedom. So they begin their journey together, soon taking up with Aravis, a girl from a wealthy household who is fleeing an arranged marriage and her own talking mare Hwin (who has a similar backstory to Bree). The four of them have to travel through a big city without attracting undue attention and cross a desert to reach their goal. Things don’t go according to plan while they’re in the city, they get separated and are both at risk. When they finally reunite in the desert, their journey is now more urgent as Shasta has overheard plans of the enemy to attack Narnia, and now they want to get there in time to warn them. After facing more perils along the way, when they finally do arrive in Narnia, they have to figure out how they fit in there, everything is so different from what they’re used to.

And all along the way there are their personal differences to overcome- Shasta has grown up suspicious of adults and longing for a better life though he doesn’t quite know what that looks like. Aravis and Bree both have degrees of pride, and are not always kind to the others. Hwin usually has good ideas and advice, but is too timid and submissive to make her point forcibly enough to be followed. This all made it a more interesting read to me. The lion Aslan of course plays a large role in the story, comforting sometimes, guiding, chastising, and setting things right in the end. His overbearing presence didn’t bother me so much, and I still found the ending scene where the antagonist was turned into a donkey, very amusing.

Rating: 4/5
192 pages, 1954

by C.S. Lewis

I don’t know why I enjoyed this one more than the previous Narnia books, when really it has some of the more unpleasant characters. I mean, the two main kids who are sent on a quest to save a missing prince argue and bicker pretty much the whole time, and their mentor/guide Puddleglum, while taking good care of them and giving sound advice, has a negative way of talking about everything (like Eeyore). Maybe it was just refreshing, after how good and positive the Pevensie kids always seemed (for the most part), or maybe it just felt more interesting because I didn’t remember this one as well as the others, so a new discovery. Especially the parts underground. I had forgotten most of that, although many scenes seemed to jump alive with familiarity once I reached them.

It starts in England like the other stories, with Jill (a new character) and Eustace at a miserable boarding school. They’re not really friends, but found themselves both getting chased by bullies out behind the school. They run up a hill through a doorway in a wall, which suddenly opens into Narnia. Not really quite Narnia, they seem to be in Aslan’s country at first, but have a tussle on top of a cliff (because Jill is showing off when she realizes that Eustace is scared of heights) whereupon Eustace falls off, but is saved by Aslan who blows him to Narnia. Jill is then given instructions for their quest- to find and rescue the missing Prince Rillian (son of Caspian, who is now an old man). She’s given four signs to follow, that will help them on their way- and Jill is supposed to recite these regularly, so she doesn’t forget them. But she fails to do that. Their first failure actually occurs because when Jill meets up with Eustace and tells him about Aslan’s instructions, he doesn’t really listen to her, so they miss their chance to follow the first sign. Later they mess up following the guidelines because of squabbling, or not paying attention, or being tempted by something else in their path. When the very last one arises, they are finally working together and astute enough to immediately recognize it, but then are in a bind because then they had promised not to do something the sign said to.

It’s these kind of tricky things that come up making the story so interesting. Jill and Eustace travel across the land, through many hardships, with their solemn guide from the marshes. He was so different from other Narnian creatures I think I found his character so fascinating as a child. They get taken in by giants who act welcoming but really mean them harm (recognizing this before the characters do causes some very tense moments for the reader), escape just in time only to wind up in underground tunnels and caves full of mystery. All controlled by a Witch who has her followers (plus the prince) under an enchantment. She tries to distort their sense of reality, but they manage to see through it just in time and overcome her at the end. Rilian is restored to his rightful place (though not without some grief) and the children are returned home, having through numerous trials completed their mission and hopefully learned some lessons along the way. At the very least, they seem to be actual friends now. For me the ending, with everything set to rights and helpful people welcoming and supporting them again, was much less captivating to read than all the previous chapters with their struggle and inabilities to see clearly. I read the last chapter rather quickly, just to have it over with and move on to the next book.

Rating: 4/5
208 pages, 1953

by C.S. Lewis

This was always among my favorite of the Narnia books. Lucy and Edmund are having a frustrating holiday at their cousin’s house- Eustace is annoying to be around, argumentative and rather sour-tempered. “Something of a prig” I think they referred to him as. He’s been making fun of them for talking about Narnia- thinking it’s all make-believe, when suddenly they’re pulled into the magical world via a painting on the wall. They find themselves on board a ship with Prince Caspian, and it’s only been a few years since Edmund and Lucy last saw him. Caspian is on an adventure, seeking seven lords of Narnia who had fled the usurping uncle into exile. They sail to some distant but known islands, and then into uncharted territory, traveling further and further East until they literally come to the very end of the world. Each island they land on presents a different adventure, challenge, or fantastic puzzle they have to solve. Admittedly, to me some of them were boring (like the first, where some of the children are sold into slavery and Caspian gets rid of a governing party that had taken things in the wrong direction). On the different islands they encounter a dragon, water that turns anything it touches into gold (dangerously), funny not-very-intelligent dwarf creatures called the Dufflepuds who think they’ve been cursed with ugliness, men who have fallen into an enchanted decade-long sleep at a banquet table, and a horrible place where dreams come true. Lucy faces temptation in a book of magic spells, Eustance undergoes a transformation that changes his attitude towards things, Reepicheep (the talking mouse) finds the final adventure he had always longed for. They also encounter terrible storms, a sea serpent, and at several different times, Aslan himself. Lucy even glimpses sea-folk that live in the ocean (not mermaids). Morality is gently present in most of the adventures, and the characters are interesting. This time around, I didn’t quite believe Eustace’s personality would have had such an about-face so quickly, but I was just as intrigued as ever in the description when he first woke up in that cave and didn’t know what had happened to him. In the end, they find out what happened to all the missing lords, Caspian meets a beautiful lady he will someday wed, and the three children are sad to be escorted out of Narnia by the Lion once again. Back to the dull, ordinary boring world.

Rating: 4/5
210 pages, 1952

by Torey Hayden

I decided to read this book again, because as I was starting its sequel, The Tiger’s Child, I really felt like the first three chapters were taken straight from the first book. So much was vividly familiar, I thought- when is it going to get to the new narrative? how much is she going to retell? So I went back to the first one to see how repetitive it was, and realized right away that she had just marvelously summarized the first book, but it was done so well, with all the most important bits related, that I had thought it was entire. Anyhow, I was gripped again by the story from when Shelia was six years old. A very intelligent but also emotionally disturbed little girl, she was put in the author’s special education class as a temporary measure- the courts decreed sending her to a mental institution after she was caught harming a younger child (she set a three-year-old on fire). At first she didn’t speak and acted wildly out of control, but soon the teacher realized she was quite smart, and her actions deliberate (she knew just how to get perfect revenge on anybody). With a lot of patience and work, she was able to get through Sheila’s barriers, gain the child’s trust, and start to teach her. Sheila could already read and do math problems on her own, but where she lacked was emotional control. She’d been neglected and abused, had never known kindness from adults. The author provided as much as she could, all the while knowing that maybe she should keep more distance- but feeling that she had to help as much as possible. She delighted in watching Sheila unfold, learning new things, having new experiences, and as the end of school year approached, fought with the courts to keep Sheila out of the institution. Felt that this child could have a much brighter future if just given the chance.

This book isn’t long, but it is full of details that bring the classroom alive, the interactions of Sheila with the other children (all with mental or emotional problems), and with her teacher and the aides. Their discussions on difficult topics. Their battles over paperwork (Sheila refused to do it- violently). The delicate matter of trying to give Sheila some much-needed items (like clothing) without offending her father. And a lot from the adult’s perspective, how she tried different teaching and discipline methods when something didn’t work, for example. How much effort she made on this child’s behalf, admiring her tenacity. The other children in the class (there were eight) are rather flat characters, only a few of them stood out to me as individuals, this story is so focused on Sheila. It does make me curious to read more of the author’s works though- they’re all about troubled children.

Rating: 4/5
222 pages, 1980

by C.S. Lewis

It was good to read this one again. I don’t think I’d opened a copy of it since my teen years. It was never among my favorites of the Narnia books, perhaps because there’s so much battle stuff going on. Although less than I had remembered. Warning for some SPOILERS if you haven’t read this yet.

So- the four main characters, children in England just on their way off to boarding school, get suddenly pulled back into the magical world of Narnia. It turns out they were summoned, but they don’t know why at first, or by whom. They find themselves in a castle ruin in a tangled forest. They free a dwarf who was supposed to get executed, and from him learn that a thousand years have passed since they were last in Narnia- and much has changed. Narnia has for a long time now been ruled by an outsider nation of Men, the Telmarines. Young Caspian is next in line to be king, but suddenly learns from his tutor, that his uncle plans to kill him and rule instead. So Caspian flees and gathers supporters- from the Old Narnians, the ones whose country was taken over. The talking animals, centaurs, giants, fauns, etc. Even walking, talking trees. A lot of the current people don’t believe these creatures still exist, they’ve been living so long in hiding. Much less do they believe in the stories of Aslan the Lion. In fact a lot of the story is about who believes or doubts- when the four children are tromping through the woods with the dwarf to try and meet up with Caspian’s forces, Lucy suddenly sees Aslan at a distance on a hill, and feels sure he is beckoning them to go that way. After some argument, it turns out that nobody believes her, so they go the original path, and it all goes wrong. Difficult and puts them in danger. They have to backtrack and take Lucy’s suggestion after all. When they do meet up with Caspian, they overhear his followers arguing too- some of them believe Aslan will return to save them (they have no hope of winning against the uncle’s larger army), others think they should summon the White Witch out of the past, or call on other evil creatures for support. Among the four children too, they are often questioning each other’s abilities. In the end, Peter the oldest steps up to fight Miraz in singlehanded combat, but when he fells the older knight, the enemies all jump forward to attack. Then Aslan shows up with the trees behind him. So they are saved by him, but only after they had done their utmost themselves, and come together in a unified front (and expressed belief in the Lion). Everyone comes around to this, even the sour dwarf who was reluctant and critical all along.

I think it is the characters who make this story come alive for me. How the four siblings talk amongst themselves, their arguments about faith or not, the bickering about where to go, all feel so realistic. And the little gritty details about their stay in Narnia- it’s not at all easy. They don’t have any supplies when they land in the forest- for quite a while they’re eating nothing but apples and the occasional fish. The walks are long and hard and everyone is tired and argues more because of it, and some of them are petty and unpleasant to each other. They get muddy and trip on things and so on. But it all turns out right in the end, and there are other parts so lovely it’s hard to comprehend the descriptions of the scenes (or they are just not described very clearly to me). Lucy and Susan dancing with the talking trees and the Maenads (I had to look up what those figures actually were, the author was rather subtle about it in this book!), riding on Aslan’s back once again, re-visiting places they had loved and seeing how much has changed. They succeed in their mission to put Caspian back on the throne, and then after seeing most of the invading peoples out of Narnia, are sent by Aslan through a magical doorway and tumble back into the railway station to go to school.

Just the right way to end an adventure, ha.

There were some little things I had completely forgotten, or glossed over when I was a kid- like the fact that apparently the Telmarines are descended from pirates that accidentally found their way into Narnia hundreds of years ago themselves? I had no recollection of this! Makes me more interested to keep reading the series, see what else I notice so differently reading them as an adult. (A lot of people point out the dearth of female characters, how little the children actually do to help Caspian, and annoying references to Christian theology via Aslan, but none of that bothered me still).

Rating: 3/5
186 pages, 1951

by Albert Payson Terhune

Wonderfully written short stories about collie dogs that lived on a lakeshore estate in the early 1900’s. The author bred and raised collies there and wrote a lot of stories about them that became very popular. You’d think from this title, that it’s a direct sequel to Lad, A Dog– but actually there are a half-dozen other books about other collies of his in between, and in this one the stories span a wide range of years, some from when Lad was a puppy, others from his later years. While the stories are apparently based on actual incidents, they’re a bit melodramatic and too-good-to-be-true in some cases. You can tell it’s been embellished, and he makes a lot of fuss over how great the dogs are (intelligent, noble, etc) and surmises what they might be thinking- although it’s realistic in that the dogs don’t actually talk or think in sentences. Darn good stories, though. Much dramatic irony and plenty of mishaps that turn to good in the end. Some parts made me laugh, some made me shake my head (wondering at the author’s stance on some things, and nodding my head in agreement on others- he does tend to go off on little rants at times), and one actually made me catch my breath in surprise and shock. It’s been so long since I’ve read this, I had forgotten many of the key points in the narrative. Well, here’s a brief overview (with some SPOILERS):

‘The Coming of Lad’ – How Lad arrived at the Place (yes, that’s what they called their property) when he was a puppy. The owner wanted a guard dog, and felt disappointed at Lad’s youth and fancy appearance. They didn’t think he would make any kind of watchdog. Then a thief arrives in the dead of night, who the puppy thinks is a new playmate. He attempts to romp with the thief, foiling the man’s plans (hilariously). Then when the criminal strikes out at the puppy, Lad’s demeanor suddenly changes and he becomes a very fierce protector thereafter.

‘The Fetish’ – When a stray dog snaps at the Mistress on a public street, Lad leaps to her defense. Bystanders panic and scream “mad dog!” so the stray is shot. Because Lad had fought with it, a constable shows up at their house later solemnly stating that he must shoot Lad as his “duty” because he was bitten by a rabid dog. The owners protest that a) there’s no actual indication the stray dog had rabies, and b) Lad didn’t suffer any bites from the animal. But the constable is stubborn in his desire to destroy any animal seen to be a threat, so they have quite an argument over it. The constable storms off to get paperwork that will allow him to shoot the dog, stumbles and falls in the lake, and is neatly saved by Lad. He couldn’t swim, so had been in quite a panic himself and is now so grateful that of course he changes his mind.

‘No Tresspassing!’ – some young people out for a jaunt in a boat decide to stop on the lawn at the Place and have a picnic. They make a mess, and the Master comes down with Lad ordering them to leave and clean up their litter. There’s an altercation, and it’s the tresspassers’ fear of the dog that makes them leave. Later on, the owners take Lad to a dog show. One of the picnickers is at the show, and wants to get revenge by sneakily dying Lad’s fur red. He mistakenly dyes another dog instead. Those owners are outraged, and when Lad recognizes the scent of the man from the lakeshore he confronts him, and the dye on his hands gives him away.

‘Hero-Stuff’ – A new dog is brought to the Place- a young female collie that will become Lad’s companion and mate. She has to learn the rules and good behavior, and one thing she cannot resist is attacking a taxidermied eagle on display. She’s scolded for this, but repeats the offense later. The Master locks her in a shed as punishment. An accidental fire traps Lady in the shed, and Lad goes to the rescue.

‘The Stowaway’ – Lad is getting older, and finds that his younger mate now prefers to play with their son Wolf, instead of romp with him (he can’t quite keep up). Discouraged at being left out, he sneaks into the car when his owners are going away on a short trip. They find him on arrival, and the host protests because there are no pets allowed on the grounds. They insist Lad will be perfectly well-behaved. Then Lad is found leaving a room that was destroyed. When confronted, the owners refuse to believe that Lad could have caused the mess. It’s discovered that someone else had been clandestinely keeping a pet monkey, which got loose and wrecked the room. Lad had been attracted by the monkey’s scent. All is put to rights. And when they return home, Lad finds that Lady is now delighted with his company- absence made the heart grow fonder.

‘The Tracker’ – A young man comes to stay at the Place, son of a relative. He’s spiteful and mean, likes to tease the dog (putting hot pepper in his food, poking his feet with sharp tacks, etc.) The dog is too well-behaved to retaliate, but goes out of his way to avoid the kid. The owners feel they can’t punish him outright because he’s not theirs, but they do scold him a lot. After a particularly heated confrontation about some misdeed, the boy runs away. They’re sure he will come back when calmed down, but he doesn’t. He’s run into trouble, and bad weather is brewing. Lad is ordered to find him by tracking his scent, even though he loathes the kid. Dutifully he finds the boy, and even protects him until the adults arrive. Now the boy is grateful and acts kindly towards the dog (though the story ends abruptly, so you wonder how much his behavior actually changed).

‘The Juggernaut’ – the author (through the Master’s conversation) rants about the dangers of speeding automobiles. Lady has a bad habit of chasing cars, and finally she meets with a fatal accident. The owners witnessed the incident and the motorist had deliberately swerved to hit her. They’re incensed but didn’t see his face or get his license plate, so can do nothing about it. Lad however, recognizes the man’s scent when they encounter him later at a tennis club. Other people are telling the Master and Mistress how much they detest this young man- for frequently speeding, killing animals on the road and then bragging about it- when Lad springs up and attacks him. He is taken away by police, and the tennis club people rip things off his car for their own vengeance.

‘In Strange Company’ – Lad goes along with his family on a camping trip. He has some small adventures there (including an encounter with a bear) but then is accidentally left behind. Tied up to a shed, no less. The owners don’t realize what happened until they’re all the way back home (there’s two vehicles and they thought he was in the other one). When they start driving back to retrieve him, tension arises because a forest fire is approaching. Here the author goes off on a rant about fire safety, and made one of the statements that had me rolling my eyes:  “No forest fire, since the birth of time, ever started of its own accord. Each and every one has been due to human carelessness.” Um, what about lightning strikes?? Well, Lad manages to break the rope and flees, along with a myriad of wildlife, to the lake where they take refuge. (Very similar scene in A Wolf Called Wander). Afterwards, he is reunited with his owners.

‘Old Dog, New Tricks’ – Lad starts picking up random items he finds fallen on the roadside, and bringing them to his Master or Mistress. He gets praised for this, so starts going out of his way to look for things. This gets him involved in a kidnapping case, when the perpetrators, while fleeing the scene were forced to stop and fix a flat tire. They set the stolen baby down by the roadside (so he wouldn’t be found in the care if police came by). Lad was walking by in the dark and picked up the baby! When he came home hauling an infant wrapped in an expensive blanket, it caused all kinds of fuss! All right again in the end, though Lad never understood in this case why his “gift” wasn’t praised and instead caused an immediate loud uproar.

‘The Intruders’ – A neighbor’s large pig breaks through the fence and starts digging up the Mistresses’ flower bed, eating bulbs. Lad tries to drive the pig away but he’s older now and not strong enough, though still bravely attacks. The pig fights back. The Mistress gets involved, but her attempts are also ineffective- and the pig is a real danger to her. At the same time, there’s a thief trying to make off with one of their cars, in broad daylight, from the garage! He thinks he’ll be able to get away with it because of the handy distraction cause by this fight with a pig. But instead the pig with the dog and people chasing it, run straight towards where he’s driving the car away. You can imagine the outcome.

‘The Guard’ – Lad takes under his protection a young girl on the Place. Her father is a migrant worker, who forces her to work hard alongside him (picking and hauling peaches). He would beat her, except that the Master has forbidden it. But he still threatens his child when nobody is around. Lad does his best to keep her safe, and she becomes enamored of the big dog. One day when most of the adults are absent from the property, the girl happens to find herself alone in a building with her father, and the dog can’t reach her side. But she finds to her surprise (and her father’s) that she now has the bravery to stand up for herself, screaming back at him and he is actually frightened thinking he sees the dog looming in the shadows. While it was good to see the child no longer being harmed, this story did have a sad ending. For Lad.

Rating: 4/5
342 pages, 1922

by C.S. Lewis

Hard to know what to say about this one, because it is so heavily colored with nostalgia for me, I can’t think of it critically or see it how an adult would for the first time. It’s a beloved series from my childhood, and this was the first book that introduced me to Narnia, that magical other land ruled by a benevolent speaking lion. The story starts with four children, siblings who have been sent out to the countryside to be safe from the bombings in London (WWII). They’re staying in a big old house and one day the youngest, Lucy, steps into a large wardrobe to hide. She’s completely surprised to find that it leads into another land entirely, where she meets a faun and talking beasts. She’s excited to tell her brothers and sister about this place, but at first they don’t believe her (and Edmund is particularly mean about it). But eventually all the children go through the wardrobe, and their adventures begin. Narnia is under a curse from a witch, who set herself up as ruler and makes it always winter (but never Christmas). There are rumors that the lion Aslan is returning to set things right, so the animals the children meet are hopeful for a change. But Edmund is beguiled by the witch, and temporarily turns traitor. With his life at stake, the children are drawn intricately into the battle between good and evil. Honestly, the battle scenes tired me just as much this time around as in any reading of my youth. And the descriptions of scenery were hard to picture and get through, but I think that’s still just my brain. The rest of it was as delightful (and solemn by turns) as I recall. Aslan (the lion) makes what looks like the ultimate sacrifice for Edmund, but instead of this allowing the witch to gain full power as she desires, it turns everything around with renewal. Really heavy on the Christian symbolism, no surprise.

I find myself running out of words, here. I just enjoyed it all over again- the hush and cold of winter, the loveliness of sudden spring, the children’s joy in their beloved lion, their little petty squabbles and making up again. The only part that really struck me as odd, was how formally the children spoke near the end of the book, when they had grown into adults in the magical land. Future books set in Narnia don’t have the characters talking in that overly formal way, if I recall. I suppose I’ll find out soon enough, because I’m going to continue. Took me a week to read this one. Still much longer than usual for me (pre TBI) for a children’s chapter book. Sigh.

Rating: 4/5
155 pages, 1950

by C.S. Lewis

I decided that since I still struggle with anything beyond a 8-10 year old reading level right now, it might be nice to revisit some old favorites in the juvenile fic and YA range, and see how that goes. I’m happy to say it was delightful. I think just because the narrative was so familiar (I read this one four or five times in my childhood and teen years), my brain didn’t have to focus as much to understand and I could just enjoy it. I found myself getting through multiple chapters at a sitting, liking all the details I had forgotten, and taking pleasure in the storytelling again. The only part that dragged me down was a chapter near the end of the book (pictured on the cover) where the children take a journey and a lot of landscape is described, without much dialog anywhere. I found that mentally taxing and hard to picture. Maybe it is the imaginative things that my mind still struggles with. I think I should try some authors that I used to find dull in the past- because they were all tell, very little show– and it could be that works better for me now. Mercedes Lackey comes to mind . . . .

Anyhow, I am sure there are a hundred blogs and other review places that have noted this story before, so I’ll keep it brief. This book is a precursor to the Narnia series, even though it was published as book 6. In the timeline it comes first, telling how the world was formed. It’s a lively and interesting story, mostly (in my opinion) because the child characters are so very like real children, with their squabbles and their fun and occasional naughtiness and struggles with doing what’s right when the opposite is very tempting. It also has very strong metaphors, symbolism and narrative arc reflecting Christian ideology. Which I never at all noticed as a kid. Now it is so obvious to me, but as an adult reader I didn’t mind.

Two kids live in neighboring flats in London. On a boring rainy day, they start exploring a sort of attic space that spans all the houses in the row. Sneaking into what they think is an empty flat, they’re surprised to find themselves in the private study of Digory (the boy)’s uncle, who is a self-made magician. Needing a guinea pig for his experiments, he tricks them into using magic rings that send them to another world. It’s not actually another world they reach, but a kind of connection place between many worlds. Digory is eager to explore more places, the girl Polly is cautious. Which causes some arguments to arise. They do go into other worlds- one seems ancient and dead, but they inadvertently awaken an old evil there. She follows them back to London (though they try to evade her) and causes all sorts of trouble. Her aim is to take over everything, but before she can manage that, they pull her back into the between place. Leap into the next world thinking it’s her old dead one, but are in a new place entirely- a world just coming into being. Where Narnia is. They witness the lion ruler Aslan creating things and bringing all the animals to life. Unhappily, they have also led the evil woman into Narnia, and so Digory has to go on a quest to procure a magical fruit that will grow into a tree protecting the land from her. However, he is sorely tempted because he wants to take the fruit back home instead, where his mother lies bedridden and terminally ill- he thinks the fruit will cure her. In the end he does make the right choice, and is benevolently rewarded, and anyone who has read the other Narnia books will see in here the origins of the White Witch, the wardrobe that leads other children into Narnia, and the lamp post that grows in a forest.

I’m so glad I re-read this. I plan to revisit more over the upcoming weeks.

Rating: 4/5
168 pages, 1995

Love, Grief and Compassion

by Peter Wohlleben

This was an unintentional re-read for me. And uncommonly soon, as the previous read was only five years ago! What happened was, I had written the title wrong on my previous post (now fixed). So it didn’t come up in a search, when I thought: this book is so familiar, have I read it before? By the time I realized I had, I was far enough into the narrative to be intrigued by all the parts I’d forgotten, so continued to the end. It really was surprising, what things I so clearly remembered from before (the squirrel mother nearly strangled by young she carried to safety, deer hierarchy changing when the leading doe looses her fawn) and what leaped out at me seemingly entirely new. Did I just forget so much, or did my mind skim over them when I was reading? I wonder if it’s the different voice that made other parts stand out.

Because this time it was an audiobook. Borrowed from the public library. Reader’s voice Thomas Judd. The book is full of examples of animals experiencing emotions and demonstrating thought processes or intelligence. From lab rats dreaming about their tests in a maze to goats and dogs adopting orphaned animals (sometimes of other species). Crows sliding down snowy rooftops over and over again- seemingly for fun. Horses in old age becoming fearful of lying down to sleep- because they’ll struggle to get up again. Hedgehogs apparently having nightmares when too-warm temperatures in winter rouse them from hibernation- but they can’t actually wake up. Pigs running to get their feed when called individually by name. Sometimes the examples are of limitations as well: are dogs really feeling guilty when you scold them for wrongdoing? or is it just an expression of submission that we interpret that way. There was more in here about insects, tardigrades and other tiny life forms than I had remembered. Also some musings on the possibility of plants having some kind of memory or feelings- that causes a conundrum for this author who makes it clear he thinks hunting is abhorrent and we shouldn’t be eating animals at all- but then if plants can feel, is it also morally wrong to eat them. Kind of leaves you nowhere.

Anyway, this was an odd experience for me in another way because once again I switched technologies, ha. I got into audiobooks a short while back when received one by mistake. Then started having fun listening to more books while doing household chores. But my devices kept failing. First I was using an old boom box my teenager discarded, to play books on CD from the library. The power cord was missing but it had batteries. However when the battery life ran out I didn’t feel like buying more (it need six very large ones). We tend to hang onto lots of old stuff around here so I looked and found an MP3 player (also ditched by a kid years ago- everything is on their phones now). This worked great- except it will only read certain formats, so some of the audiobooks just don’t work. So I gave up on that and popped the audiobooks into the DVD/Blu-ray that’s still hooked up to our TV. That conked out on me entirely just a few days ago. Sound gave out. Popped a movie in there, same problem. Disappointing because I did like borrowing movies from the library now and then, to watch things I can’t find on any of the platforms we use (Netflix, Amazon Prime video, etc). It was a really old DVD player though.

Then my husband said well, let’s just look here- and pulled up the audiobook I was currently trying to finish on Youtube, via our television. I had no idea you could listen to entire audiobooks on Youtube. It’s actually a nicer experience than any of the other devices, because I can use the fancy new headset he got to listen to it anywhere in the house, doing any of my tasks, without disturbing other people. But really it feels so odd to finish the book and not have an item in hand to put back on my shelf, or return to the library. I don’t know how many other books on my TBR (still sticking to nonfiction for listening) are available in this format, curious to see now.

Rating: 4/5
277 pages, 2016

by Frances Hodgson Burnett

Lovely book I remember so well from my childhood. Although the characters aren’t so lovely themselves at first! but that’s part of the charm, seeing how they grow and change. Orphaned Mary Lennox is downright unpleasant when she arrives in England from India, where her parents had died of cholera. She’s to stay with her distant uncle in a huge old house full of unused rooms. He travels a lot and she’s pretty much left to her own devices. Bored and lonely, she wanders the grounds where she finds a gruff older gardener working. Mary discovers that there’s a locked garden somewhere on the grounds, and curiosity drives her to locate it, and find a way to get inside. She wants to know if anything is left alive, since the garden was locked up for ten years. Partly guided by a friendly robin, she does find the garden and its door- and then keeps it a secret as she works to bring it back to life herself- weeding and coaxing the flowers to grow. Of course she can’t hide it forever. Soon she makes friends with the housemaid’s boy Dickon, and lets him in on her secret. Later she makes a shocking discovery (at least, it shocked me as a child) that she has an invalid cousin, who keeps to his room in another part of the house. The boy is just as spoiled as she was upon arrival to the house, but now she wants to help him grow healthier and enjoy life- by showing him the garden. Together the children conspire to keep their use of the garden hidden from adults- while being out in the fresh air, exercising and enjoying other’s company seems to help the sickly cousin Colin grow stronger. Mary is convinced that the garden is magic- that being among the beautiful growing things helped her, and now it’s helping Colin.

It’s hard to argue with that. A lot of the story has some obvious metaphors- as spring unfolds with the growth of plants, Mary gradually blossoms into a lively, kind child (though she still has her moments of sour temper). It seems the author’s message was that attitude can have a huge influence on how one feels, even affected your health- but I think that’s only to a point. Maybe she carries this idea a little too far- especially in Colin’s case. Everyone around him believed he was a sickly baby who grew into a sickly child who might never live. So he believed it himself. Until Mary startled him out of feeling sorry for himself and took him out in to the garden. Nature the great healer. I liked better the beginning of the story when Mary was attempting to clear things in the garden and help the plants even though she knew so little about it, rather than the end when some of the characters got a bit preachy. But overall it’s still a wonderful story.

I wanted to read this one again because I watched a recent movie version of it with my ten-year-old. I expected some parts to be different from the book, but I was a little disappointed how different they were. For starters, there’s no dog in the original story. The movie left out the old gardener entirely, and he was one of my favorite characters! I was dismayed at how much the movie emphasized the idea of magic, rather than just wholesome living and positive attitudes, working their cure on Mary and Colin. And the garden was oddly full of tropical plants, not at all like I’d pictured it from the book. I recognize that nowadays people have issues with racist attitudes the book showed- particularly towards people of color, and the servants, and even maybe the Yorkshire accent is offensive? those things didn’t bother me at all on a re-read, I suppose nostalgia let me breeze over them too easily. For all that, I still much prefer the original book to what this movie portrayed. However I found in poking around online there’s quite a few older film versions, some look interesting and closer to what I felt was the original feel of the book. I might try and find a few!

Rating: 4/5
256 pages, 1911

More opinions:
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All books reviewed on this site are owned by me, or borrowed from the public library. Exceptions are a very occasional review copy sent to me by a publisher or author, as noted. Receiving a book does not influence my opinion or evaluation of it

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