Tag: Art

Wildlife Photographers United

by Margot Ragget, et al

From the same series as Remembering Leopards and Remembering African Wild Dogs. Just like the other two, it’s a collection of stunning photographs that wildlife photographers donated to the cause, and proceeds from the book sales support the featured animals- by protecting habitat, educating locals on why it’s important to save them, funding studies, anti-poaching efforts and more. Like the previous books, the photographs are just beautiful. The text doesn’t have as much on the animals’ physiology and behavior as I had hoped (one page of that), it’s more about their tangled history with mankind (being caught by the thousands in ancient times for use as trained hunting animals) and in particular, how precarious their future is because of ongoing habitat loss and poaching. Nowadays this is mainly because cubs get stolen from the wild for the illegal pet trade, and the photo of emaciated cheetah cubs in a cage (that had been confiscated) made me feel so sad. You really hope that the title run of this series won’t come true- that someday future readers won’t be looking at these books in remembrance because the species no longer exists at all.

The pictures really are amazing. Again I looked through the whole book twice, and then thumbed to my favorite images for another lingering perusal when it was time to turn this one in. I love the photo of a mother cheetah up high in a tree snag, with her cubs interspaced vertically through the tree, and one leaping down to the ground. Other images of mothers with cubs, cheetahs standing in the golden glow of setting sun, one poised so beautifully against a background of running water, and some spectacular shots that captured the action of a hunt- final tackle of the gazelle or antelope prey- just couldn’t stop looking at them. My favorite was of a cub on the sands of Namibia. But I forgot to snapshot the page to show you.

Borrowed from the public library. Completed on 5/6/24.

Rating: 4/5
144 pages, 2020

by Tim Flach

What a gorgeous (and terribly heavy) book! It’s one of those oversized “coffee table” books. Found browsing at the library, sat down to look through while my kid was busy, and then decided to bring it home to finish reading. There is some text, both about the artist’s work, his vision and intentions, some of the technicalities on how he made the photographs, and interesting details on the history or current utilisation of certain horse breeds. A lot of the particulars about the individual photos are listed in the back, so you are wholly absorbed with just looking when going through the main pages.

What a feast for the eyes. The first section has beautifully abstract images, that don’t show the entire horse but just a curve of neck, shine of flank, beautiful flowing hair, the sculptural aspect of the muscles. It’s really something else. Second section depicts horses in their landscapes- Prezwalski on the steppes, Icelandic horses running along icy shorelines (how sharply I recalled the description of the fast paced tolt gait, in A Good Horse Has No Color), Norwegian Fjords in deep snow, Shetland ponies all wet and muddy looking cold but perfectly calm, Haflingers golden against stunning mountain vistas, a very stocky, glowing Suffolk Punch standing square on a flat yard, a group of shaggy poitou donkeys- looking like sculptures-, mustangs running through clouds of dust, Arabians poised and appearing too perfect to be real. One breed I had never heard of: the Marwari from India, which has curly ears!

Then there’s images of horses in a setting of human influence. Wearing leg wraps and specific head coverings as protection or to treat with something: ten images of different masks and headgear- from riot protection to chloroform and nebulizer administration, to mixed medieval armor. There’s images of the skeleton, and some ethereal, fascinating ones of embryos at different stages. Images of different equine crosses- not just mules but zebra/donkey and zebra/horse hybrids, and the extinct quagga. Warning for some disturbing images- a horse with an eye surgically removed (this one didn’t bother me), closeup of flies on a manure pile- it’s a vivid pattern of iridescent wings- and another more unsettling one of a mare’s placenta, all pink veins in clear detail. That one sure took me by surprise when I turned the page.

But mostly it’s beautiful pictures of horses, and some so intriguingly different you see the animal in a new way. Borrowed from the public library. Completed on 4/25/24.

Rating: 4/5
304 pages, 2008

Wildlife Photographers United

by Margot Ragget, et al

From the same series as the wild dogs photography book. The leopards are just absolutely gorgeous, a feast of beauty for your eyes. Stunning photos all round. I learned there’s eight recognized subspecies. Majority of the photos depict the African leopard. Some of the others are so rare and elusive there’s only one photo of each in this book: Arabian, Persian, Javan and Indochinese leopards. There’s a few more pictures of Amur, Sri Lankan and Indian leopards, including some melanistic ones (black panthers). I learned there’s another uncommon color morph, the “strawberry” leopard that has a reddish hue to its coat and dark brown spots. I don’t think there was a photo of one in here- if so it wasn’t identified as such- but I found some pictures online. They don’t look so different from regular black-and-gold leopards until you put the pictures side by side, then it really stands out. Also in this book are photos of snow leopards (actually more closely related to tigers) and clouded leopards (which diverged from other big cats in ancient times). Some of the stop-action photos of two leopards leaping around each other- in conflict or play- are just astonishing. They’re all so beautiful, and the cubs are especially endearing. As with Remembering African Wild Dogs, I had to page through this three times to fully immerse myself in appreciating the images.

Borrowed from the public library. Completed on 4/9/24.

Rating: 5/5
160 pages, 2023

Wildlife Photographers United

by Margot Ragget et al

An absolutely stunning book that I read in one sitting, while waiting for my kid at a library event. I actually paged through it twice, to look at all the images a second time around. It’s from a series organized to raise awareness of wildlife species that are at risk of extinction. Wildlife photographers donated their work to be included in the book, aiming to produce the most beautiful, stunning collection ever. Proceeds go to support the animals in question- whether that be for research studies, habitat preservation, educating locals to the animals’ value, etc. There are a few sections of text describing the animals, the work done to help them, the importance of giving them space in our world. While the text is brief, it felt very eloquent. In terms of the wild dogs (one of my favorite animals ever since I read Innocent Killers by Jane Goodall and Hugo van Lawick as a teen) the book emphasizes their place in the ecosystem, reasons they have been reviled by people for so long, and yet are so little known (they travel almost constantly, far and very fast). There’s a bit about their life history and physiology, too. Much of this was familiar to me, but I didn’t know before that the wild dogs (also known as Cape hunting dogs or painted wolves- even though they’re not closely related to wolves-) only have four toes on each foot (having diverged from canines farther back in evolutionary time) and that they sneeze at each other when communicating excitement for the hunt!

Majority of the book is the photographs. And they are absolutely gorgeous. I love the ones of the young puppies. And there are some with beautiful golden gaze. Many showing moments of peace, camaraderie in the pack, fast action of the hunt. From some of the earlier text explaining how the brutal-looking method wild dogs use to kill their prey isn’t as terrible as it appears (the victim goes into shock and supposedly feels very little pain) I was really expecting to see at least one photo with some gore or the dogs feeding on a kill, but there wasn’t any of that. So I don’t need to give any fair warning that something might shock a viewer.

Borrowed from the public library.

Rating: 5/5
144 pages, 2021

My initial attempt to cover all the things I’ve read (listened to) and puzzled during my recovery time! My screen time is still limited, so this will be brief. I was in the middle of reading these two books when had the incident, hung onto them for weeks and finally realized I was going to run out of borrowing time before I could read again. So I turned them in, plus a waiting stack on my bedside table. Thus they’re considered Abandoned, though it was reluctant and unintentional so DNF is a better term, just one I haven’t used much on here.

Creature

by Shaun Tan
Collection of drawings and sketches by the author/artist. Delightful and whimsical and random. At least, they seemed random at first- but when you get to the very end pages there’s a little description and explanation by the artist, about what inspired the piece, or what other story it was a part of, or what he thinks about the depicted object. The intro and these end-pages explanation bits are lovely reading, it is so solidly insightful and makes me feel appreciative (of art). I need to get my hands on more Shaun Tan! and see the animations done from some of his books- I didn’t even know they existed, before. The artwork is all so much fun, even if some have sad or lonely overtones. Most of them are of everyday objects combined or personified into little beings that interact or have some symbolic meaning. Not quite sure how else to describe it. I had spent days poring over all the pictures, looked through them all at least twice, and then was super happy to find the text at the back to read about, but then I couldn’t. Someone else had this one on request so I turned it in having only read four or five pages of the explanations, but I want to borrow it again to go through the rest, and look at the drawings all over again, of course.

Abandoned             224 pages, 2022

 

The Last Elephants

compiled by Don Pinnock and Colin Bell

This thick, impressive coffee-table size book is all about the current state of elephants in Africa. As far as I can tell, the two compilers traveled the breadth of the continent collecting materials written about, and photographs taken of, elephants. The words are from conservationists, animal welfare workers, government policy makers, wildlife photographers, safari outfit organizers, big game hunting enthusiasts, field scientists, etc (probably some occupations I have got wrong and many others forgotten because I don’t have the book in front of me now). The photographs- many of them double-page spreads- are stunning and beautiful. The words are detailed, sober and expressive, though I have to admit some of them are on the other hand very straightforward and dry. The chapter written about policy makers and the problems caused when elephant populations cross boundaries of countries that have different ways of assessing and handling their numbers was particularly difficult to get through, if I recall. I did like best one chapter that was about two individual elephants, though now I can’t tell you anything about it. Personal stories always get me closer. And I was very struck by the section about how elephants and big trees co-exist. Namely, it was pointed out that the helpful work of people to provide more watering holes for elephants and other wildlife, actually has a negative impact on large trees- because if the elephants have easy access to water and stay in one place, they keep feeding on the same trees and damage them. In normal circumstances, they’d roam far between watering places, giving trees in one area time to recover and grow again, before they returned. And yet now they often can’t roam because of fences, roads, human habitation and other things blocking their path.

There’s writings in here about poaching, about the ivory trade, about conservation efforts, and the viewpoints of many different people involved with elephants in one way or another. I was just barely getting into this one- it was kind of slow reading already- when I had to pause. Definitely going to borrow this book again, too.

Abandoned               490 pages, 2019

On the Wings of the World

by Fabien Grolleau

Graphic novel about John James Audubon, illustrated by Jérémie Royer. It was nice to learn more about the man, how his obsession to find and document all the bird species in the United States took him on dangerous travels away from his family for so many years. While I didn’t find the artwork particularly appealing, I did feel like it conveyed a sense of how dark, wild and foreboding the wilderness must have seemed during those times. Audubon faced rough circumstances, aggressive men, bad food, illness and more in his quest. Also lack of support, when traveling companions, assistants or patrons fell by the wayside. Then there’s the overshadowing competition from his rival Alexander Wilson. I looked up Wilson’s artwork and really, I find them both of wonderful in quality. Maybe Audubon’s is more expressive (a fact that seemed to make patrons disinclined to fund his efforts). Modern readers will probably find the numbers of birds Audubon shot, and his work of taxidermy to make the specimens subjects for his studies and paintings, disturbing. Seems plenty of Audubon’s compatriots did as well. This book is just a glimpse of his life and the work he did- there’s a lot left out (not surprising) and some parts are rather fanciful, but I like that it gave me an overview of what he did and how singleminded his pursuit was. It’s nice that many words from Audubon’s own writing is included in the text, and several of his bird plates are reproduced in the back pages.

Borrowed from the public library.

Rating: 3/5
184 pages, 2017

by Rachel Sussman

The living things featured in this book stagger the mind. How ancient they are, yet still living and growing- albeit very slowly– the map lichen in Greenland only grows one centimeter each hundred years, for example. It’s 3,000 years old. That’s in the middle range, for what’s in these pages- ranging from the baobabs, welwitschia and brain corals that are 2,000 years old to a sea grass meadow in Spain that’s 100,000 years old and the Siberian actinobacteria colony which is estimated to be 400,000 – 600,000 years old! And here I thought the age of giant sequoias or olive trees was mind-boggling, but now I’m in awe of moss, creosote bushes, and a unassuming-looking box huckleberry that’s at least 8,000 years old (maybe up to 13,000 years). The bristlecone pines look suitably weathered, the huge banyan figs and Japanese cedar are impressive, but I was most wowed by the unexpected, plants I’d never heard of before that are so curious- such as Parinari capensis or the underground forest- a plant whose mass is mainly below the soil, with a small group of leaves poking above ground. And especially the Llareta in Chile- a plant of tiny leaves massed so tightly together it looks like weirdly rounded blobs- I’ve never seen anything like that. I’d sure like to go see it in person someday. That plus Pando, the quaking aspen grove in Utah (80,000 years old) and the Chestnut of a Thousand Horses in Sicily (3,000 years old).

This book is the work of a professional photographer, who spent ten years travelling the world- she literally visited every continent- to view and capture images of the oldest things. Sadly two of them died by the time the book was published, succumbing to activities of humans- and others are threatened by encroaching development or climate change. Several of the species in this book are so rare the author was only allowed to view them from a distance, or to see propagated cuttings, not the original individual itself. When this was written she had a second book in mind, I hope to peruse it someday too. That all said, it felt a tad disappointing: I did wish for more actual information on the organisms in the book. The text is mostly just brief descriptions of the author’s travels and efforts to visit the sites of ancient living things, her emotions on finally seeing them, and a little bit of info gleaned from scientists she contacted or met with. Left me wanting to know much more.

Borrowed from the public library.

Rating: 4/5
270 pages, 2014

by Ursula Murray Husted

My ten-year-old and I both liked this one a lot. It is a very touching story about two young cats who live on an island in Malta (the seaside setting made me think of The Cats of Lamu). Betto is content with their lot- sleeping under a fisherman’s boat and eating fish scraps on the docks. But Cilla wants more in life- a comfortable home with humans perhaps. Another cat tells her about the quiet garden, from an old kitten tale, where humans are always kind and food is plentiful. Cilla is determined to find the garden. Betto doesn’t believe it exists but goes along to make sure his friend is safe. Their journey takes them far from home, through many encounters. They navigate the streets, jump on a bus, ride a ferryboat, have a mishap on the sea, and meet several cats who give them directions. One particularly speaks in obscure riddles. When Cilla finally locates what they think is the quiet garden, it isn’t exactly the paradise they were hoping to find. A poodle tells them a story suggesting they shouldn’t be in want of anything at all. Later when the cats are discouraged and confused, hiding from the rain and feeling their quest failed, they comfort themselves by telling their own story to each other- a story of friendship above all.

I won’t tell you the ending- I did find it satisfying whereas others might think the narrative just went nowhere. But this book is philosophical more than anything else. It’s a story within a story, it’s about finding out what’s important in life. It has nods to The Little Prince and delightfully, pictorial homage to many famous works of art. Sometimes these are in the background as the cats journey through their world, on other pages the cats are actually walking through the art- a tropical fantasy painted by Rousseau, the Bayeux tapestry, ancient tiles from Persia, cave paintings from Lascaux etc- many I recognized, some I did not. On certain pages the artwork depicted seemed to fit what was happening in the cats’ story, but other times it appeared to be a random choice, so I just shrugged and went with it. The author explained in the back which artworks she had chosen to depict, which I appreciated reading. Her own style- well, let’s just say sometimes I thought it looked a bit rushed with awkward lines or poses- occasionally the drawings even appeared childish, but it started to grow on me. They’re certainly very expressive and lively, and there’s lots of detail in the surroundings. Mostly I just really liked the story about the cats, their little arguments, observations on humans, and earnestness in their quest to find what ‘home’ means.

Borrowed from the public library.

Rating: 4/5
182 pages, 2020

365 Days

by Anup and Manoj Shah

Brought this book home from a thrift store just last week, and instead of it sitting for years on my shelf like so many others, I started thumbing through it. Read it in between chapters of two other books, the last stretch in a long afternoon outside by the garden, when for once it was cool enough and breezy so the mosquitoes weren’t bad. Hearing birds and watching them bustle about while reading about wildlife and the change of seasons in a very different, also very hot, part of the world- was nice.

African Odyssey is a book of photographs, taken each one day of the year and presented in sequence as a photography team followed the great migration around the Serengeti plains and the Maasai Mara. They go from the rainy season into dry weather and back into rain. They follow the animals as the herds in turn follow the grass- traversing different types of terrain and river obstacles. Each photograph has a bit of text on a facing page- sometimes a description of the animal depicted, or of the weather they experienced that day, or of an interaction they observed between some species. So there are little stories and glimpses into the lives of the animals, which I liked. Reminded me somewhat of The Long African Day. Most of the photos are of familiar, iconic animals- lions and zebra, wildebeest and vultures, hippos, hyenas, giraffe and leopards. There’s also pictures of many birds I’m not familiar with, and one each of a striped hyena and an aardwolf, rarely seen. I learned a few facts I didn’t know before- such as, that giraffes often suffer heavily from parasites, and many of them die from it. But a lot of the info tidbits were repeated- I didn’t need to read twice that wildebeest are so physically efficient it takes them the same energy output to run as to walk. And while I appreciate that the photos didn’t avoid showing the unpleasant or brutal side of nature- prey animals being killed, predators feeding, young abandoned by their mothers or lost, etc- phrases like sudden death is no stranger on the plains felt a bit overused after a while.

My only other quibble is that the book itself is difficult to hold- it’s very thick and heavy, but has such a short spine, my hands got tired unless I propped it up on something and I didn’t want to torque the binding too much. Visually, the photographs are rich and lively, and I feel like I got a broad picture of what life is like for animals in that area of the world, how their struggles for survival depend on each other and intersect, with a nice amount of detail on individual incidents.

Rating: 3/5
744 pages, 2007

by Betsy Byars

A re-read from my childhood. It\’s about a boy named Alfie who likes to draw, especially cartoons. He\’s proud of his work and daydreams about becoming famous, but mostly keeps the drawings secret, working in a private attic space in his small home. Shared with his mother, older sister and grandfather, this house sounds really tiny. Alfie learns suddenly one day that his married brother lost his job and might come back home with his wife, to stay in the attic. His mother, indifferent to Alfie\’s need for private space, has big plans to spruce up the attic for them. Alfie protests, and when no one listens, locks himself in the attic and refuses to come out.

I had remembered vividly a lot of the details about Alfie\’s drawing- how he gets caught in class drawing instead of doing his math, how he imagines ideas and reworks them on paper- frustrated sometimes when they don\’t come out right. I had forgotten how much of the story is about Alfie\’s family dynamics- the older sister seems the most sympathetic and responsible, the mother feels overworked and exasperated by the grandfather, who bemoans his feelings of uselessness and tells the same stories over and over again. The family spends a lot of time arguing or sitting in front of the television- all the programs sound really inane and annoying- no wonder Alfie preferred to spend time alone attic- but it really makes me wonder if the author had something against tv viewing. I guess this is on my mind because my nine-year-old has been reading Roald Dahl\’s Matilda with her class, which also has a dysfunctional family with the parents really enamored of their television.

SPOILER In case you\’re wondering, Alfie does finally come down from the attic, not because of his mother\’s threats, his grandfather\’s cajoling, his best friend\’s attempts to get him to join activities, or his sister\’s expressions of understanding. For another reason entirely that erased the conflict. The sad thing is that the whole experience made Alfie realize he was avoiding things by spending so much time in the attic with his daydreams and his cartoons, and he made a motion to change that. It isn\’t clear at the ending if he stopped drawing altogether, but it did seem like his attitude towards his artwork had changed.

Rating: 3/5         119 pages, 1978

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All books reviewed on this site are owned by me, or borrowed from the public library. Exceptions are a very occasional review copy sent to me by a publisher or author, as noted. Receiving a book does not influence my opinion or evaluation of it

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