Tag: Juvenile Fic

by Chris Baron

Novel in verse about a boy who struggles with self image. He’s been overweight for a long time, suffered teasing from other kids in school. His parents are often absent from home, their marriage is strained and partway through the story his father leaves. Ari tries to keep up with some expectations his father set with him to prepare for his bar mitzvah, but he forgets to practice the prayers and doesn’t know what to say to the rabbi when he does keep his appointments. He goes for the summer with his mother to a beach property where she works on her art while he wanders the trails and visits the beach with a few friends. One kid whom he plays D&D with, inventing new characters and monsters. He’s very much into cryptozoology, and they make little clay trolls together. There’s also a girl around, who he becomes more and more attracted to, but confused about his feelings. And then the bullying from peers goes too far- some kids beat him up on a bike path. He’s too scared to tell any adults about it, and finally his stress and unhappiness with culminates in an incident of self-harm. His mother finally takes action then, taking him to a doctor who helps him set up a diet plan. The rest of the summer is a mingling of art, worldbuilding for his game, and efforts to stick with his diet. Trying to understand what he feels for his close friend who is a girl, as well. Upset when she pays attention to another boy. Discouraged at how hard the diet is, but encouraged when he finally starts to see results, and his friends make efforts to support him. By the end, he hasn’t quite met with his religious goals (they seemed unclear) but he’s well on his way to being healthier, and much more accepting of himself, where he is now.

This book was a bit hazy in my mind. The parts about his thoughts and concerns over his body were pretty clear. The dynamics of his family and the personalities of his friends were indistinct. And all the stuff about religion, as well. Perhaps because that wasn’t at the front of the main character’s mind. It’s set in an area I used to live in- San Francisco and some environs north of the Bay, but aside from place names and descriptions of fog, nothing really felt recognizable to me. I found that a tad disappointing, but maybe it’s just that what stood out to this author (via the kid’s voice) weren’t the same things that reside in my memory of the place. That’s what it was- I got no sense of place from the writing. And I missed that. It’s a good story though, with a positive outcome after some heartfelt difficulties.

Rating: 3/5
315 pages, 2019

by E.D. Baker

It was kind of weird reading this book, because it’s number eight in a series, and I haven’t read any of the others. Somehow I picked it up at a library or thrift sale, thinking it looked lighthearted and fun. I was picturing something along the lines of Frogged, but this one wasn’t quite as good. I’m not sure if that’s because of the writing style, or just that there was so much about the backstory I didn’t already know. Many times through the narrative, the characters would make remarks reminding the reader of past events, and it was enough that I could follow along, but there’s so much I was left in the dark about. Which made me curious to read at least a few from the beginning of the series, because I just have to know. How did a princess who can magically turn into a dragon, first meet and fall in love with a dragon who can turn into a human, anyway? What was it that Audun did for the sea snakes, that put them in his debt? Why are there so many witches in this world (but only one wizard encounter)- and quite a few of them appear really incompetent. I don’t know if that was for laughs, or that in this fantasy universe, plenty of people can do magic with widely varying abilities?

Anyhow, the story goes thus: said princess and dragon-prince (engaged to be married soon), are left in charge of her parents’ castle while the adults are away. She’s then called away herself a few times to help people in the domain with various problems- to deal with a dangerous tree that stings people, for example (inspired by a real tree, Dendrocnide moroides or the gympie gympie, which grows in Australia), or to trap a bunch of mandrake/cat hybrid pests. And then comes home to find that her baby brother is missing- kidnapped. Goes on a wild goose chase with her dragon fiancé, first to find out who did it, then actually locate her brother, then to rescue him. Lots of people- and fairies, and mermaids, and other dragons- get involved helping out. There’s friendly ghosts and magic flying carpets and a guy who was once turned into an otter, a talking octopus servant, and a nasty wizard with an old grudge against her family. They have to battle a swarm of crabs on a tiny remote island, do some spectacular flying stunts, and heal a rift between two sides of the family that dislike each other- a human grandmother who loathes dragons, and a dragon relative who hates humans. Oh, and somewhere in the middle quite a few of them get turned into frogs- but I won’t say why, just in case you want to read this yourself!

I did get a bit lost sometimes. Most everything seems to happen via the dialog, so there were quite a few pages where I suddenly didn’t know what the characters were doing– they had changed locations, or their body position, or something else had happened with the surroundings- but the only indication was hints in the conversation which were unclear to me. Particularly in the cave scene. It could be that my brain still struggles with some descriptive aspects of writing- and filling in the gaps- but I felt like a quite a few chapters needed more sentences plainly telling the reader what the heck was actually going on.

Rating: 3/5
212 pages, 2010

by Katherine Applegate

Another sequel to The One and Only Ivan. This one from the viewpoint of the little elephant, Ruby. Ruby, having escaped the horrors of the mall along with Ivan (who now lives next door), is now safe in the zoo and surrounding by other elephants who love and support her. She’s charming- so spunky and silly, loves to tell riddles and have fun. But reluctant about an upcoming event- a celebration the elephants in her adopted herd are having for her “Tuskday”- a coming-of-age thing. I really thought this book would be either about her struggles to adjust to yet another new environment, or about her desire to live free in the wild, return to Africa. Nope. Most of it is about what she remembers from being in Africa, before she was captured as a baby calf and sold to the mall display. She has a very good memory. And it’s why she dreads her Tuskday. She doesn’t like her tusks, because back in Africa, elephants in her family were hunted for their tusks, people killed them for it. Ruby relives the trauma and fear of those days as she tells her story, and by the end of the book, is able to come to terms with some things. That she can’t escape growing up, but she can face things together with her friends and family. Like the other books in this series, it was a touching story, and shares a lot of info about wild elephants and the threats they face, through Ruby’s eyes (with a bit too much knowledge of what humans did – but easy to overlook that) which is a great way for young readers to learn. I don’t know why, but again I found myself a little bored with it. Maybe because all the things Ruby shared about the plight of elephants, was already in my awareness, and the plot itself didn’t have much unique to it- or maybe I need to really start moving on to YA and adult books again.

Borrowed from the public library.

Rating: 3/5
218 pages, 2023

by Katherine Applegate

Sequel to The One and Only Ivan. This one is from the dog’s viewpoint, and it takes place mostly after the events in the old shopping mall, although there are some flashbacks where Bob describes their time there, or his memories of puppyhood before. He was a scrappy street dog, had to rely on his wits and definitely did not trust humans. But now he’s in a comfortable home, taken on walks, even entered into obedience school (which he defies). He’s worried about “going soft.” The best days are when his family takes him to visit the zoo, and he gets to see Ivan the gorilla and Ruby the elephant again. The first part of this story is Bob explaining his situation and reflecting on the relationship between dogs and humans. He’s sarcastic about it all, doesn’t quite agree with most dogs’ fawning on their owners, and makes pointed remarks about some famous dogs (Chaser the border collie who knows a thousand words and Hachiko who waited nine years for his owner- neither are actually named in the book but it’s obvious who they are). I did like some of his descriptive phrases: “homework, which smells like frustration with a hint of eraser.” Or this: “We live on a lonely ball called Earth, and humans have basically been throwing it against the wall for so long that the poor ‘ol ball is falling apart.” Yeah, the dog talks like he knows more than animals actually could, but so do all the other animals in this story. And they all talk to each other.

About halfway through the book, a huge natural disaster strikes. While Bob is at the zoo, visiting his old friends. He’s suddenly roaming through the debris, searching for his friends. Finding and helping other animals in distress, in spite of himself. While humans are trying to rescue animals from the rubble and capture or subdue the dangerous ones that have gotten free, Bob is mostly worried about Ivan. A flood follows the initial blow, and Bob (against his will) winds up in the animal shelter nearby, where more humans are trying to evacuate the animals. He encounters someone from his past there, and finally is able to lay to rest an old hurt. To find forgiveness for himself, for a wrong he thought he’d done (but nobody else held it against him). He goes on yet another rescue mission, determined to succeed where no one else can. But he needs the help of his old friends in this, too.

Wow, there was so much tension with the disaster and aftermath in this one. It was pages and pages and pages of action- all happening in what seemed just twenty-four hours, as the animals scrambled around trying to survive and save each other. Bob finds he’s just as brave and plucky as he ever imagined himself to be, but more importantly, that he also cares more about others than he would have admitted. It’s very touching and heartwarming, but a much too. With the disaster events. Not sure if I would have liked this one as a kid. It looks like a really thick book, but it’s actually not that long. All told in brief paragraphs and one-liners spaced down the page, almost like poetry in style. So a quick one. I did like that the voice of this was very different from the previous book, as Bob is not at all like Ivan. But I think that’s why some other readers didn’t like it as much.

Borrowed from the public library.

Rating: 3/5
340 pages, 2020

by Rosanne Parry

I liked this one better, too. It has two main characters- young Deneb, a male orca and his older sister Vega. The chapters alternate between each whale’s viewpoint, and are both written in first-person format, so it took me a few chapters to figure out how to tell who was now narrating. There’s a dorsal fin drawing at each chapter head, larger one with a notch for Vega, smooth smaller fin for Deneb. Like the other books I’ve read by this author, there’s lots of illustrations which add so much, I liked seeing all the different sea creatures and plants. Through the story, the reader gets a lot of information about the sea life, the different habitats the whales travel through, and how they interact with other mammals, including the whale groups. It made clear how distinctive the separate orca populations are- their diet, communication and culture are very different. When young Deneb first encounters an adult male from a seal-eating group, it’s like he’s met a foreigner.

It all happens because of two tragedies that befall the whales’ natal pod- a new calf is stillborn, which sets them all to grieving, and Deneb reacts by swimming off alone (unwisely). Then there’s what sounds like (from the descriptions) a large earthquake and tsunami, which separates the whales. Young Deneb and his sister manage to find each other again halfway through the book, but struggle on to locate the rest of their family. At the same time, they’re confused by changes to the environment following the disaster, battling hunger because the salmon have not appeared for their annual run, and puzzling over the things that humans do (or throw into the ocean). Pollution makes them sick, debris gets in the way, loud noises “blind” them in the water. The whales tell each other stories about how awful it was in long-ago times when young orcas were caught and removed from the water by humans- they still mourn those lost babies- but still have it rough nowadays because of the pollution, both from toxins and noise. It might all sound dismal, but there are wonderful things in this story too. Strength of family, courage and perseverance, how much it means for them to be together and support each other. Wonder at the wide variety and amazing details of ocean life, too. I wish this book had been longer, I would have happily kept reading.

Like the previous two, this volume has pages in the back with facts about orcas, the various ocean habitats and other wildlife there, human interactions with and impacts on sea life. The story is based on an actual orca population in the Salish Sea that has been studied for forty years. The only part of it all that felt unrealistic to me was at the end, when the orcas help humans demolish a dam of broken trees and debris (from the earthquake) that is blocking salmon from returning upriver. I wanted to know if that was based on any fact, but can’t find more information about it.

Borrowed from the public library.

Rating: 3/5
324 pages, 2020

by Rosanne Parry

Story of a wild horse, from his youth to young adulthood. At first he lives free and loves the feel of the wind in his mane, loves to run and spar with other young horses. He knows that his days of living with his natal band are numbered, that eventually he will be ousted, but that doesn’t happen until a drought comes on the land, threatening all the animals with thirst. While still learning to live on his own, and hoping to join the companionship of other young ‘bachelor’ colts, he has his first encounter with humans. Together with a few other wild horses, he’s driven into a canyon that’s been turned into a trap, and is then corralled. Desperate to be free, but unable to escape. He’s taken to a station of the Pony Express (but of course doesn’t know what this is) and soon -against his will- trained to accept a rider. The goal is to run fast and straight between two points, then rest up and race it again back the other way. This doesn’t make any sense to the horses, but they learn to comply and do their best anyway. Sky communicates with other horses and mules that live among humans (with the horses he speaks in full sentences, the mules and other animals just get phrases across, and the humans are incomprehensible) and finds that most of them see no point in resisting or trying to escape. But Sky is determined to find a way, even if he has to wait a long time for his chance. He starts to recognize that the humans have different personalities and begins to care for some of them, before finally making his escape. Immediately starts for his home range, but finds that things have drastically changed, because of humans destroying the environment in their search for precious metals. Sky finds some of his original band, old friends, all trapped and enslaved by the humans. Can he get them free? and will they follow him to safety? His homeland is ruined, so they must find a new place to live.

I found this story a lot more engaging than the wolf one. It seemed to me that the descriptions were better written, so it didn’t feel quite so dull. Also, the interactions of the horse with other animals, and his encounters with humans, his bafflement at their behaviors and what they were doing to him, was interesting. It reminded me of several other horse stories that started with a young foal born in the wild, then caught and pressed into human service- Smoky the Cowhorse by Will James and Buck, Wild by Glenn Balch. Just like in A Wolf Called Wander, the back of the book has pages with facts about the wildlife featured in the story, the different habitats they lives in, and some history of the region as well.

One thing that was odd to me was how the horses referred to other animals and things in the narrative. For some, the regular names were used: horse, burro, mule, human. But while a bee was called a bee, all other insects were called “flutters.” A cougar was called a “claw beast” (very fitting) but a bear was just a bear. Rabbits and squirrels were “bounders” and “scampers”, a snake was a “slither”, human hands were “grabbers”, the bridle and/or reins were “guiders”, and so on. I just didn’t get why some things had descriptive horse-given names, and other things had their real names.

Borrowed from the public library.

Rating: 3/5
260 pages, 2023

More opinions: Libris Notes
anyone else?

by Rosanne Parry

Story of a wolf, based on the life of a real wolf (OR-7) studied from a pack in Yellowstone. You can even see a map of where he went. Of course a lot of this is made up, showing things surmised from the wolf’s perspective, but the actual places he traveled is factual. Called Wander in this story, the young wolf is growing up in his natal pack, finding his place among his littermates, learning skills, then helping with the next year’s new pups. Aspiring to be a leader someday and lead his own pack. Then calamity strikes, when a rival pack moves into their territory and scatters them. Wander is now alone, frightened and having to fend for himself. He misses his packmates, can’t bring down large prey solo, and vacilitates for quite a while between wanting to run away/move on to new/safe territory, and feeling compelled to stay and find his missing packmates, reunite with some of his family. He does eventually encounter a brother, but they can’t manage to stay together. Wander is forced to move on, and travels a thousand miles through the Pacific Northwest. He traverses strange lands, with different ecosystems he’s not used to, encountering animals that are new to him (he can’t run fast enough to catch a pronghorn!) the mysteries and dangers of man-things (barbed wire, paved roads and vehicles), and then runs into humans themselves- which confuse and frighten him. He’s baffled at meeting a domestic dog, whose company he craves because it seems so much like a wolf, but whose closeness to the human things unnerves him. For a while he forms a partnership with a raven. Gets injured by an elk and struggles to recover. Faces thirst in dry lands, and the terror of fire driven by the wind. After a long, tiresome and dangerous journey, he finally comes to a land that feels more like home- mountainsides with cooling trees and thickets with deer, clearings with elk. Meets another young lone wolf, and at long last is able to form his own pack.

Nice story, especially how realistically it reflected the life of a wolf in the wild. At the back are several pages telling about the wolves, the other wildlife they share habitats with, the studies that follow the original OR-7. I liked that while the wolves talked to each other, the never discussed things that wouldn’t concern a wolf, and couldn’t converse in the same way with other animals (Wander would guess at what the raven’s gestures meant, but the sounds were foreign). Have to admit I was disappointed not to see a conclusion to the encounter between one of his siblings and a porcupine! He also has interactions with wild horses and cougars, tries catching fish after watching a bear do so, and many other events. Actually quite a lot happens in this relatively short book. What surprised me was- it felt too easy. The simple language and present tense narrative had me bored. Normally I’d be annoyed at this and would have set the book aside, but my reaction was the opposite- I was happy to find myself bored with this book. Maybe that means I’m ready for harder reading material! I did request from the library a few others written by this author (there’s another wolf story, one about a wild horse, and another about an orca). I’m curious if it’s just the style here, or the comprehension level that I’m responding to.

Rating: 3/5
244 pages, 2019

by Mary Maples Dodge

My husband and I had a little argument about this book. He insists that I had a conversation about it with his father once, regarding that the book, so steeped in Dutch history and culture, was written by an American in the 1800’s. I don’t remember any of that, and most of the story felt completely new to me- is this another thing I have simply forgotten, or was it someone else who had that discussion with my father-in-law? Regardless, it was a very good read, I stuck with it even though some parts were a bit tedious (the histories). Apparently it is so accurate in describing the country, that one reader (who authored the forward in my edition) when visiting Holland for the first time as an adult, felt surprised at how familiar things were. She’d never been there before, but the traditions and sights had been so well described in this novel (which she loved as a child) that she recognized it.

Well. The story has two main parts. One is about two poor children, Hans and Gretel, whose mother struggles to make a living while their father is incapacitated from a head injury he sustained at work on the dikes a decade ago. He’s not been in his right mind since, and they worry about him constantly. Hans hopes he can convince a famous doctor to come treat his father, even though they have no money to pay for the services. Another main thread of the story is about a grand race among all the local children; the prize will be a set of new silver ice skates. Hans and his sister long to participate, even though they don’t have good skates to race on- theirs are awkward, slow hand-made wooden skates. I thought the book would be mostly about these two narratives, but actually a great part of it is about a group of older boys who go on a trip together, skating from Broek to the Hague (fifty miles) and back. One of the group is a boy visiting from England, so the locals are eager to show him all the sights and explain things. This was a great way for the author to share a ton of Dutch history and culture, and it mostly didn’t feel forced, though sometimes I got a bit tired of it. It amused and impressed me how proud these boys were of their country, excited to tell tales of heroes and deeds from the past, to show off paintings and treasures in the museums. There’s a lot of joking and teasing among they boys, directed a lot at the English visitor, and also at another boy who is heavier that the others (the frank way they address this would not be acceptable today). There is also in other parts of the story, mocking and sneering at Hans and his sister for being poor, but this is shown up by other children and adults who are kind and considerate instead. And the poor family has their own sense of pride, refusing to accept any kind of charity, only wanting what they have honestly earned. Also woven into the story is a bit of mystery- some missing money the poor family desperately needs, but their father can no longer tell what happened to it, because of his memory loss. And more- about some old wrongs, the doctor’s son who left town long ago and was never heard from again, a watch that is in Han’s mother’s safekeeping but she doesn’t know why . . .

All round it was very interesting, far more complex than I had expected. Well-written and lively dialog, even though sometimes I puzzled over the meaning of what people said. Not only because of archaic words and usage. I asked my husband about some of the terms and phrases, and even he couldn’t explain them so I had to go look things up further- because the words had fallen out of common use long ago. But for all that, mostly of it is still very accessible and easy to relate to, which is what makes this a classic of course. A great show of human character, good nature winning out over all. The honest and hard-working getting their due reward in the very end. (And here, too, is the origin of that legend about the boy who stuck his finger in a dyke to stop a leak- this author made it up!) I did really enjoy the scenes of skating, and the scene of this race was much better IMHO than the roller skating event in Skating with the Statue of Liberty (which it reminded me of). I was so intrigued with the description of sailboats built to glide across the ice, and sleds being pulled along dry streets (with oiled runners) as a matter-of-course, and how everyone used the canals and other frozen waterways as regular conveyance, it wasn’t just children out there playing.

I asked my husband about some of this (he’s from Holland). He remembers ice skating on a large body of water when he was a kid, you could just go miles and miles. He tells me it’s not like that anymore, the ice doesn’t freeze solid and thick enough now. That his generation is probably the last that will have actually skated on open ice for such distance in Holland. And he’s never seen an ice boat with sails, though heard of them. Wouldn’t I love to see that someday (if they’re still around). Just for fun, I looked at the route from Broek to the Hague, on google maps. It tells me that distance is 58 minutes by car or 16 hours on foot (walking). It doesn’t give an option for skating, or navigating waterways. In the story the boys covered that distance in two days, but they did make many stops along the way, in hotels and people’s homes and hours spent in museums and such. They had quite a few adventures along the way -including foiling a robbery- but I still liked the quieter parts of the story about Hans and his family, better.

Borrowed from the public library.

Rating: 4/5
382 pages, 1865

by Dave Barry and Ridley Pearson

Sequel to Peter and the Starcatchers. Quite a thick book, and felt like it was taking me forever to read it, though really it was just over a week. It was a bit hard to focus on for me, not because the plot was very complex, but because it followed two or three separate groups of characters, alternating between their viewpoints in very short chapters (some only a page and a half, others maybe up to six pages) and that made the narrative feel very jumpy and tired me out. Also, I really felt like this book would have shaved fifty or more pages off, if there had not been so many chapter breaks with tons of blank space after just a few lines on the second page…

Well, the story was certainly full of adventure! Peter finds out that Molly is in danger in London. A strange man in a dark cloak who can mind control people, is tracking her down. He’s also after the starstuff. Peter feels he has to warn Molly, but first he has to get to England (sneaking aboard a ship), and then he has to find her. In this large, sprawling, hazy, confusing city full of people who mean him ill (or at least are not helpful). It’s good he has Tinkerbell along, though she is reluctant about the whole thing, and makes lots of snarky comments that Peter deliberately mistranslates to his companion, to keep the peace. Peter is always hungry and cold, being poorly dressed for the chill and having no resources. He can’t let himself being seen flying. He runs afoul of a man who forces kids into begging on the streets, and then briefly winds up in prison, before he reaches Molly. Then they have to figure out how to protect her mother, reach and warn her father, and stop the bad guys from getting the starstuff. Molly enlists the help of a friend from school down the street, George, who turns out to be the Darling boy that is the father in the original Peter Pan book. There’s also an encounter in the park with a character that’s James Barrie himself; I thought both these inclusions cleverly done. Other things that gave nods to the original story didn’t work quite so well for me. The whole shadow thing, for example. I don’t recall (but it’s been a long time since I read it) the separation of Peter’s shadow in the original being anything other than an amusing oddity, but here it has quite sinister connotations. And the Ombra figure reminds me way too much of Tolkien’s ringwraiths or Rawling’s dementors, so that didn’t feel like a new idea at all- I found it rather tiresome, though I’m sure kids reading this would be thrilled with the horror. There is violence in the story, and a few deaths.

The ending suddenly switches back to the island, showing what happened to the Lost Boys that Peter had left behind when he went to England, and the story just as suddenly feels a bit more lighthearted, with some humor that reminded me of the original again. It feels wrapped-up in terms of completing the adventure and saving the starstuff, but I know there’s a third book (and several more after that). The opposition now have more information about the starstuff and have learned some of the starcatchers’ secrets, so they are an even greater threat. You just know Peter is going to continue to be wrapped up in this.

There is a bit of reflection in the story- Peter realizing how far apart and different he is from other boys, when he encounters kids on the streets of London, how odd and extraordinary his life on the island is. He feels bad seeing how Molly has begun to outpace him in growth- for he remains the same age forever now. It makes the reader wonder if some of his cockiness and indifference in the future, comes from bitterness at his fate. In spite of all the wonders he lives among, and the amazing ability to fly, there’s downsides to his new life too, and he doesn’t quite seem reconciled to it all yet.

Borrowed from the public library.

Rating: 3/5
560 pages, 2006

by Dave Barry and Ridley Pearson

The first in a series that is all a prequel to Peter Pan. It starts out with Peter and four other orphans being put on a ship- they’re not told much, but seems like they were in forced service, and at the end of the voyage, going to become slaves to a king on a distant island. Too much happened for them to ever reach that island, though. Peter had misgivings from the beginning and tried to sneak off the ship, but no avail. He soon meets a young girl who has passage on the ship, and discovers there’s a secret on board- a dangerously powerful treasure hidden in a chest. And there’s certain people (pirates included) who want to get their hands on that treasure, while this girl and her cohorts are trying to get it to safety (“returning” it somehow, to where it came from). So now there are chases and battles with pirates, wild storms at sea, near-drownings, treachery and loyalty displayed equally, encounters with talking dolphins, flying rats and all manner of astounding things. Because Peter and his friends quickly learn that there is actual magic in the world- magic that changes those who get too close to it in unpredictable, and sometimes irreversible ways.

I thought this book was lots of fun, and happily surprised that I made it all the way through without loosing steam. In fact, I’m eager to read the next one, even though it’s longer in page count! It moves quickly, has engaging characters and plenty of adventure. Helps that I was constantly intrigued by how it tied into the original Peter Pan story- giving backstory and explanations to many things, and kind of apologizing for others (the natives on the island of Never Never Land, for example, are depicted much more fairly here). This story posits that magic came from stars- and when it landed on earth, it affected all kinds of things- little origin stories behind Greek and Roman gods, scientific and artistic geniuses, mythical creatures galore. I kind of liked that the mermaids had a nasty, fearsome aspect behind their beautiful faces. And that Tinkerbell used to be a bright tropical bird. I started to get a little lost near the end when the storyline got more complex- telling what happened to three or four different groups of characters at the same time but in alternating chapters, until they all converge at the end. But I enjoyed it enough that I do want to continue! And now it makes me want to read the original all over again as well- to see how much of this is drawn from what J.M. Barrie actually hinted at- how that pirate lost his hand and became Captain Hook (I do remember that part), why Peter can fly and will always remain young, what’s up with the ticking crocodile, to give just a few examples.

Rating: 3/5
452 pages, 2004

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