Tag: Juvenile Fic

by Jennifer L. Holm and Matthew Holm

Sunny’s older brother is trouble. She doesn’t really know what kind of trouble, because he’s hardly ever around and nobody talks about it openly. But his outbursts and reckless behavior disrupt family gatherings and cause Sunny embarrassment and even fear. Her summer plans are abruptly changed when she gets sent to Florida to stay with her grandfather. That’s exciting- until she finds out that he lives hours away from Disney World, in a retirement community with almost no other kids around. Looks like it might all be boring- until she meets Buzz, who introduces her to comic books. Together they read comics and argue about the merits of different characters, search for lost balls on the golf course to earn spare change, look for the all the neighbor ladies’ lost cats (not allowed but everyone seems to have one anyway), and avoid an alligator in the water! By the end of summer, some things are looking up, and Sunny even finds the courage to talk to her grandfather about some things that make her uncomfortable- both his behavior (hiding cigarettes, when he’s supposed to have quit smoking) and the awfully squeaky hide-a-bed couch she’s been sleeping on. She also learns what was really going on with her brother, and forgives herself for some needlessly-placed self guilt. This book looks so casual on the outside, but it actually deals with some tough subjects. I think I liked it even better than the sequel (which I read out of order).

Borrowed from the public library.

Rating: 3/5
220 pages, 2015

the Graphic Novel

by Madeline L'Engle, adapted by Hope Larson

The original, which I loved and re-read numerous times (but the last so long ago it isn’t featured on my blog yet) is among my favorite books. I was hesitant to read this version at first, because afraid it wouldn’t at all live up to my memories, or the pictures in my own head. Happy to say it was a good read. Different, and not everything quite depicted as I expected, but enough rang true to how I experienced the original that I liked it and didn’t feel slighted. All the dialog feels taken straight from the pages of the novel, and since the only text in this book is dialog, that made it feel perfectly full of quotes. All the good ones, too. I’m sure something was left out, but I couldn’t tell what. I wasn’t terribly keen on the artwork style, it was rather plain, but I did like that color shifts made it easy to tell when the characters were talking about or remembering the past- very helpful. Charles Wallace with his big baby blue eyes, innocent face and sophisticated way of talking, Calvin looked just like I’d imagined. A few parts felt too brief, a few drawings a bit goofy but overall I’m so glad I read it, it’s so very heartwarming through all the frustrations and fears the characters face.

I suppose now I have to tell you what the actual story is, in case you don’t know (and I really didn’t like the film version, by the way. Don’t know why that didn’t sit well with me, but I never even tried to watch it, after seeing a trailer). Meg belongs to a rather odd family: her parents are scientists, her little brother Charles Wallace brilliantly precocious (and with something of a sixth sense for how people are feeling) and her in-the-middle twin brothers so ordinary and pleasant they’re nearly perfect. She herself feels out of sorts and is often frustrated by her personal flaws, and the criticism the community seems to latch onto her family. Especially since her father went missing- rumors go around that he left the family, the mother knows better (he went off on a secret scientific mission and hasn’t returned). Things start to change when Meg meets a very nice boy her age who lives nearby- and thinks her family is just awesome. Charles Wallace meets some strange old ladies staying in an abandoned house in the woods, and it turns out they have otherworldly abilities. They are kind and generous, and take Meg, her little brother and her new friend Calvin on a strange journey through time and space to confront a horrible evil entity that is making things lifeless- and also possibly to find her father. I can’t really explain more than that, because part of the joy in this novel is the weird discovery of what happens. But it’s more than just an odd blend of fantasy, science, and what some might call a New Age feel. It’s about finding yourself, embracing your faults (which might turn out to be inner strengths) and just overall standing up for and being good.

I really wish I could write more eloquently about this right now. However I do feel spurred by this to read the original (off my own shelf) again soon, and then I will find more words.

Caveat: after reading some other readers’ reviews, I realize this might not read well for people who aren’t familiar with the original. So much of the context is gone, if you only get simple pictures and dialog. My head didn’t have to fill in any blanks, because I had them all stored in memory, but I can well imagine that for a lot of readers new to this story, they might not have any idea what the heck is going on at times. Due to the mystical and unexplained events, phenomena and strange beings encountered. I still liked it though. But I do prefer the novel.

Borrowed from the public library.

Rating: 4/5
392 pages, 2012

an Other North American Stories

by Kel McDonald, Kate Ashwin and Alina Pete, editors

Eight stories from different indigenous cultures. I thought they would all be older fables, but some had a distinctly modern feel. It was a very uneven read for me. I didn’t enjoy the first few much and was going to put it back on my return stack as ‘abandoned’. But then ended up waiting for something so idly picked this up to read anyway. Not very impressed. They’re all heavily illustrated (graphic novel format), each one by a different artist and that was nice for variety. However the quality varied a lot. Some it just seemed to be talking heads, looking at each other over and over, so I had a hard time following what was actually happening (because it seemed that nothing did). Others had beautiful, decorative and elaborate pictures that were a joy to look at, even if the story itself was very short, or without much text.

Well. There’s an origin fable that involves “two-spirit” people (of both genders) being told to a trans child (who in the picture look far too old to be sitting on someone’s lap for storytelling). A Chickasaw story about animals wearing beautiful coats and some envy others’ and the rabbit Chokti gets into a competition with Otter and looses his glorious bushy tail. I was so confused through most of this story wondering why in all the pictures (until the end) Rabbit had a tail like a fox or squirrel- because it didn’t preface with any kind of statement like ‘this is how Rabbit lost his tail’ or ‘when all the animals had beautiful coats Rabbit had a long fluffy tail’. Maybe I shouldn’t have needed that pointed out to me, but apparently I did. I had similar issues with some of the other stories- where I felt like part of the tale was missing, or the illustrations weren’t clear. Several I just thought: eh, what was the point? I did kind of like ‘Into the Darkness’ even though that one also seemed a bit pointless. My two favorites were ‘Rougarou’ about a child who finds a monster in the forest that can’t be looked at, and discovers how it came to be that way, and how to restore it to human form. And ‘By the Light of the Moon’ which was just about the moon falling in love with Octopus Woman, pouring his light all over her but it also infused smaller creatures which became bioluminescent. That one had really cool artwork by Alina Pete.

The stories are from Cree, Ojibwe, Taíno (Arawak), Navajo, Métis and S’Klallam traditions. The book is part of a series- Cautionary Fables and Fairytales- there’s one of Asian stories, one of European, etc. According to other reviews, the previous compilations were mostly of scary stories, so this one was a disappointment to other readers for that reason too.

Borrowed from the public library.

Rating: 2/5
120 pages, 2022

More opinions:
No Flying No Tights
the Pullbox
anyone else?

by Jennifer L. Holm and Matthew Holm

Another graphic novel about growing pains in middle school: struggling to fit in, baffled at friends’ sudden interest in boys, cool clothes and jewelry, and having an uncommon interest. In this case, it’s Dungeons and Dragons, which Sunny plays with three guy friends. Her best school friend frowns on this because she thinks they’re too old to play make-believe games, especially with boys. Everything else in Sonny’s life, seems blah (or maybe that’s just how I felt about the illustration style- sorry!- ) but in D&D she finds a challenge and a thrill. And yeah, the game is ever complicated. I’ve been overhearing my twelve-year-old play this game for months now, and never heard some of the things mentioned in this story! (But I asked my kid, and they knew exactly what those things were, so it’s just unfamiliar to me). A lot of Sunny’s efforts to look cool (or “groovy” as is constantly said in this seventies-flashback graphic novel) come crashing down when it makes her shun her D&D friends. Which she quickly regrets, and rejoins them for a hallway game after fleeing an awkward school dance! I loved that scene. So much familiar here with the seventies vibe- being ecstatic over cassette tape players that could record. Hot rollers for curling your hair. Jello with things suspended inside. Fake wood paneling in the basement rooms. So much to relate to and grin at in this book (including roller skating!) even though I did feel bad for the main character lots of times. I’m glad she realized who her real friends were in the end.

Note: I’ve read so many graphic novels now that feature D&D (or Settlers of Catan) games, but they never name it- you just instantly know what they’re playing from recognizing the board and pieces and terms. I always thought not mentioning the name was a copyright thing, but this book had no problem stating that clearly, so guess I was wrong!

Borrowed from the public library.

Rating: 3/5
220 pages, 2019

in the tradition of A.A. Milne

by David Benedictus

Illustrations by Mark Burgess. With the approval and support of the Trustees of the Pooh Properties Trust and in which Winne-the-Pooh enjoys further adventures with Christopher Robin and his friends. I opened this one with some trepidation. It’s very hard to read a book which attempts to pick up and carry on another’s legacy, especially one so beloved by so many readers since their childhood- like mine. I was pleasantly surprised. The writing style and character of the stories felt very close to the original, same with the illustrations. Christopher Robin did look a bit different- but then he’s supposed to be older now- and I often felt that Pooh’s legs were a bit too scrawny, and that Roo looked rather like a stretched-out flying squirrel, but other than that it all charmed me. I just enjoyed it and forgot to be too critical. I didn’t even mind that it introduced a new character (a female otter named Lottie, just as full of herself as Owl and Rabbit, but in a different way). It’s been many years since I’ve read the originals, or I’d probably hold this to a stricter standard. (Having read some other reader’s reviews since I wrote this, I cringe a bit now. Lots of people pointed out many nuances that weren’t at all like the original characters, and I can’t believe I didn’t notice those flaws. Yikes. Now I wonder if I’ll enjoy this if I do read it a second time round, having had those things brought to my attention).

The stories are thus- a rumor goes about that Christopher Robin is back (visiting, home from boarding school) and they all throw him a welcome party. Owl struggles over a crossword puzzle but is too proud to ask for help. Robin suggests they hold a spelling bee and Owl is the quizmaster- they start off with quite difficult words, start to get muddled, and then stop because it rains. Rabbit decides to organize a census but almost nobody cooperates because they haven’t any idea what he’s doing or why. He wants to count all his relatives so invites them with offerings of refreshments, but there’s too many rabbits, nobody wants the carrots (they all prefer shortbread) and they cause havoc in his house. There is a drought. The otter appears and is anxious to help them find water- a well is located and when the bucket doesn’t function properly, little Piglet is the brave one sent down to investigate. Afterwards he’s disappointed not to be more prominently featured in Pooh’s rhyme about the whole affair. Then the bee tree is found to be empty- which Pooh discovers when he nearly runs out of honey. Alarmed, they go looking for the bees- Eeyore suggests they may have swarmed, Lottie recommends they coax the bees back with flowers, but it’s Pooh who finally succeeds in leading the bees back home. Owl decides to write a book about his uncle, and doesn’t come out of his house for days. Friends knocking at the doors and windows are rebuffed and ignored. So the animals get up to some strange shenanigans to make owl give up writing (my least favorite of the stories). Lottie declares that many of the forest animals are “uncouth” and need educating. They set up a school with herself, Owl, Rabbit and Kanga teaching the others. It was a nice effort, but . . . fell flat. Same with the next chapter, all about a game of cricket (I don’t know the sport but it seems similar to baseball – a precursor?) Tigger eats too many blackberries, gets slightly ill and imagines that he misses his homeland of Africa. His friends try to recreate what they think an African jungle looks like for him, only to realize later that tigers aren’t from that part of the world at all. The animals have a harvest festival, and they sadly learn that Christopher Robin is leaving again- but he will always be their friend.

Rating: 3/5
216 pages, 2009

by Christian McKay Heidicker

Oh how I liked this book! I thought from the flyleaf description and a few other reviews that led me to this, that it would be rather silly. Not at all. It has some very dark themes and unsettling depictions of the real kinds of horror animals face in the wild, or anyone in a family that isn’t nurturing, no matter what species. While presented as juvenile fiction, it was very engaging for me as an adult reader, and I’d caution to read this to younger kids or those who are sensitive. SPOILER ALERT: some foxes die. Some are abandoned. Some are hurt by their own families. But there is courage and friendship and hope in the end.

The premise is that seven little foxes are out after dark listening to a storyteller. The stories frighten the fox kits, so that one by one they flee for home- will any last to hear all the tales? Because if they can brave the telling, each one teaches them something crucial- even if you have to read a bit between the lines for it. The horror of rabies. Of older male foxes that kill young rivals. Of young ones with weakness or disabilities being left to starve. Of facing snakes and brutal natural elements and unseen predators. Of the misery and cruelty that humans can inflict. I have to say, I was a bit put off that a beloved children’s book author was portrayed as evil in this story- from the foxes’ viewpoint- though I wouldn’t be surprised if she had stuffed her own specimens exactly as is described. It was also weird that a sudden magic element was introduced that made the foxes able to understand human speech- before that point in the story, I was rather enjoying the challenge of trying to puzzle out the garbled depiction of how the foxes heard English. And as up until now the story seemed completely realistic (other than the foxes talking to each other) it also felt a bit jarring. There was another detail that kind of threw me out of the story: a king snake threatening the young foxes with venemous bite. Um, king snakes aren’t poisonous. Other parts of the story mixed fauna that made you confused where exactly these foxes were growing up. It didn’t bother me too much, but some other readers mention that.

I really liked how the stories told to the kits eventually wove together, and connected the listeners to the storyteller in the end. The struggles of young foxes to prevail over all the risks and challenges of growing up felt so very real, and their vulpine characterization was delightful (even the nasty ones). I can well see how some compared this to Watership Down, even though it’s far shorter in length. I would have gladly read a few hundred more pages of this, and am happy to learn there’s a sequel- but it was just published last year so my library doesn’t have a copy yet.

Borrowed from the public library.

Rating: 4/5
314 pages, 2019

Phoebe and Her Unicorn #18

by Dana Simpson

The unicorn reacts to a butterfly as if it’s a bad omen, and tells of many more. She tries to jump over the moon. Marigold frets over a minor social faux-paus she made long ago, that nobody else remembers. There are two pages in this book exactly the same as in the last one! (when they pretended to be princesses with swords). Odd. I don’t think it’s a printing error, as the panels are arranged slightly differently (but have the exact same artwork and text). Phoebe scrapes her knee and wants Marigold to produce magic tears that will instantly heal it. Phoebe and Marigold magically switch places for a day: Marigold-as-human has even odder-than-usual conversations with Dakota, and struggles to perform fine motor skills with her fingers. While Phoebe as a unicorn enjoys frolicking, delights in having a tail, then botches some magic (but harmlessly). Back to normal, they find an unidentifiable small magical creature, that turns out to be another unicorn’s pet and has to get returned. This is difficult for Phoebe, who quickly became attached to it. Todd the candy dragon decides he wants to be scary and garner some respect, but no matter what he’s still cute (reminded me of Spike in an episode of My Little Pony: Friendship is Magic). Phoebe and Marigold solve a ghost mystery. Dakota reconnects- briefly- with the goblin queen. And realizes it’s still good to just let the end of that friendship lie. Phoebe worries that some of her friends will drift apart from her when they’re older. Her parents reflect on how some things from their youth can never be revisited- because they’re now considered offensive. And Marigold offers an (absurd) unicorn equivalent.

Borrowed from the public library.

Rating: 3/5
178 pages, 2023

Phoebe and Her Unicorn #17

by Dana Simpson

I thought the cover of this one was really fun, but the punk rock part of the storyline was very short, and the unicorn’s accessories far fewer. That part comes about near the end of the book, where Phoebe and Marigold are at yet another summer camp and putting on a musical performance. Phoebe and a new friend Stevie play some actual punk music, whereas Sue and Marigold just want to smash things! A much greater portion of the book was taken up by ongoing interactions with an alternate-universe Phoebe + unicorn pair, via a magic portal. Their alternate personas are supposed to be evil– but they’re not really. Which says something deep that I just didn’t quite get.

I like all the little snippet parts better. Such as when they meet a very dorky, unattractive unicorn named Prince Aspirational Arrogance who is very full of himself (the complete opposite of Lord Splendid Humility) but it’s funny. Later Phoebe worries that her book report on a graphic novel won’t count because Dakota says “those aren’t real books,” but happily her teacher is a fan of the same series! Phoebe and Dakota get lead parts in the school play together- but end up arguing on stage (and the star role is a snail which somehow inspires Marigold). Phoebe tries to understand why she procrastinates and sometimes can’t focus. She and Marigold meet another male unicorn- one even more self-centered than Marigold is. The unicorn tells Phoebe another fable, how the clouds are selfish unicorns blocking the sun. They pretend to be princesses wielding swords together, arguing who gets to save an imaginary kingdom. And more!

Borrowed from the public library.

Rating: 3/5
178 pages, 2023

by Cynthia DeFelice

This boy Erik has been taking a hunter safety class and practicing his aim on clay pigeons. He wants nothing more than to go hunting for the first time with his friend on the upcoming weekend. But gets some shocking news- his parents are unexpectedly deployed to Iraq and he has to go stay with his grandparents in the big emptiness of North Dakota. At least it feels empty. There’s not much to do. His grandfather is stern and short with words. When he finds a hurt dog- a hunting dog with a face full of porcupine quills- he suddenly knows what he will do. Run away with the dog, hunt his own food, live off the land like he’s always dreamed. Some parts of this quick plan turn out surprisingly easy to accomplish, but other aspects are very difficult. And after a few days out on the prairie with just the dog, reality comes crashing down on him. The best parts of this story involve Erik’s relationship with the dog, a pointer who obviously has been well-trained, and is confused at first when the boy doesn’t succeed in bringing down birds. He improves rapidly (a bit too rapidly to be believed) just in time to avoid going hungry, but obtaining food is not his only problem. When he gives in and returns back home, some things are immediately better (the grandfather has a change of heart, shocked by the possibility of loosing his grandson) but at least the story didn’t have a super pat ending SPOILER (highlight to read) the boy wasn’t able to keep the dog, in fact accused of stealing it by the real owner. I liked the survivial parts, which seemed a bit more realistic than the resolution of problems with his grandparents, having run away, stolen things, etc.

Rating: 3/5
178 pages, 2011

by John Reynolds Gardiner

Ten-year-old Willy is facing serious trouble. He lives alone with his grandfather, who now won’t get out of bed, but the doctor says there’s nothing wrong- he’s just lost the will to live (symptoms sounded like a stroke to me, though). With the help of his trusted dog Searchlight, Willy tries to take care of the farm. He manages to bring in the entire potato harvest, with the dog pulling farm equipment. Relieved to find the sale of the crop is enough to buy food for the winter, but then he learns they owe taxes on the farm. Willy is desperate to earn enough money to pay the taxes so they don’t loose the farm, though everyone keeps advising him to sell the farm and put Grandfather in a care home. He enters a sled dog race, excited that the winnings would be just enough. Problem is, a large stern Native American man has always entered and won this race, for years in a row (he uses the money to buy back his people’s land, that was stolen from them by the government when they were forced onto reservations). Willy and Searchlight literally put their utmost effort into winning the race. The ending of this book is such a tearjerker. Apparently it is based on a true story- at least, the final incident. Which really got to me, even though some earlier parts of the story felt unbelievable.

I had trouble with the idea that a kid of ten would be allowed to live alone in a house with his ailing grandfather, attempting to run the farm by himself, not made to go to school or put in foster care by any authorities. I suppose because it was from such an earlier era, people just let things be? I struggled to picture a dog- even a sled dog that enjoys the work- pulling the machinery to dig up potato fields, too. The writing style is a bit simplistic, and the illustrations (not like the cover one) also left something to be desired. I was feeling pretty ‘meh’ about this whole book, until I got to that final scene. Really gets to you. I certainly won’t forget this story.

Rating: 3/5
88 pages, 1980

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All books reviewed on this site are owned by me, or borrowed from the public library. Exceptions are a very occasional review copy sent to me by a publisher or author, as noted. Receiving a book does not influence my opinion or evaluation of it

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